MUSIC CALENDAR

Each week Aki brings with him a special guest performer!

www.akikumar.com/tuesday-night-blues-jam

About Aki Kumar:

Dynamic frontman & harp player Aki Kumar is a bonafide star among the next generation of West Coast blues artists and the world’s first professional blues harmonica player to hail from India. A master of the hugely influential Chicago blues sound, Kumar inherits his style from the harp legends of the 1950s and 60s. Aki has a unique voice in the blues, blending elements of blues harmonica pioneers of yesteryear with a signature sound of his own.

“..old school blues at its finest by way of India. And the lad has soul to spare.”
Dan Aykroyd aka Elwood Blues

Born and raised in Bombay (now Mumbai) – India, Kumar has long established his mark on the West Coast blues scene as a top-notch frontman, vocalist , entertainer and blues harp player. The Aki Kumar Blues Band has been the culmination of his journey through American roots music and constantly showcases his ever-evolving sound. This band performs vintage blues with tremendous skill and energy and is guaranteed to entertain audiences across all venues, from intimate listening rooms to large festivals.

“(Kumar) has a natural propensity for the music, with a rich, deep tone and a sensitive, economic style that emphasizes feel over flash.”
Jonny Whiteside, LA TIMES

In recent years, Aki Kumar has performed all across the United States and internationally (Norway, Finland, Sweden, Germany, UK, France, Belgium, Netherlands, Brazil, Chile, India), collaborating with some of the top blues artists on the scene. He has also contributed his blues harmonica licks to numerous recordings produced on the West Coast in the last decade, including several albums produced at the world renowned Greaseland Studios. This year marks another exciting year for Aki Kumar, with upcoming recording projects, internationals appearances and other musical collaborations across the world.

Thompson was born in Oakland, California, United States, and had mastered basic guitar and slide guitar techniques by his mid-teens.[1] He was educated at Newark Memorial High School, in Newark, California.[2] In the early 1970s, Thompson played backing to Little Joe Blue, and worked solo and as a sideman in San Francisco Bay Area clubs. He joined John Lee Hooker’s backing band in 1975, staying with him for three years. In 1980, Thompson formed his own group, the Resisters, and secured a recording contract with Takoma Records.[1] He played at the San Francisco Blues Festival in 1978, 1979 and 1983.

In 1983, he released his debut album, Treat Her Like Gold. Thompson also found employment separately working with Lowell Fulson, Etta James and Big Mama Thornton. Thompson’s second album Resister Twister was released in 1987 and nominated for a Grammy Award,[3] plus 1990’s Just Like a Devil, was taken from his work on Mark Naftalin’s Blue Monday Party radio show.[1]

Thompson’s 2007 album, Resonator was a purely acoustic production.[3]

Pianist Sid Morris as a teenager in the 60’s he began playing piano in a blues band with South Bay blues pioneer Gary Smith. Gary later introduced him to pianist Alberto Gianquinto, a San Francisco native who was a member of the original James Cotton Blues Band. For a short time in the early 70’s, Alberto was his mentor. Currently residing in San Jose, Sid has been performing since 1970 and continues to be an active member of the San Francisco Bay Area music community. Raised in Houston, Texas before his family moved to the South Bay, Sid performed at the very first San Francisco Blues Festival in 1973 and subsequently appeared at four other SF Blues Festivals. During his early years on the scene, Sid was mentored by Alberto Gianquinto. In 1976, Sid participated in the now legendary recording of the album, Blue Bay, an anthology featuring the elite of Bay Area musicians.

https://www.terryhanck.net/

Blues and soul music fans know that the soundtrack to early rock’ n’ roll ran on three-minute instrumentals with sax in the lead, and was directly related to 1950s and 1960s New Orleans R&B hits, along with that deep-fried wildness that came from Memphis. With this history lesson in mind, old school rock ‘n’ soul saxophonist and singer Terry Hanck makes perfect sense. Clearly, Hanck has worshipped at the right Southern altars– those of such iconic R&B brothers as Fats Domino, Ray Charles, B. B. King, Lee Allen and King Curtis. “I write songs that you think you’ve heard for years,” says the South Florida-based Hanck, who’s got suave movie-star looks and a good time presence that immutably anchors the old-style R&B he adores.

As Living Blues writer Lee Hildebrand testified, “Hanck is one of the most formidable saxophonists in the blues and soul business. He has a virile tone and attack and an uncanny command of upper-register notes.” But, whether it is a joyous jump blues romp or a steamy slow dance of a stroll–this is the kind of music that has mattered to the tall tenor man all his life…

It took one cross-country journey in the early 1960s for California to ensnare the Chicago-born Hanck. The sun-drenched lure of surfer life spoke oceans to the landlocked Windy City teen. “The whole California lifestyle thing–it just blew me away! There was never any doubt in my mind, once I got out of high school, where I was gonna end up.”

Cut to Orange County, 1964: Surfing, diving, partying. And KBCA, one 24-hour AM jazz station in Los Angeles, that played everything from Muddy Waters to John Coltrane. For Hanck, that was it. As he slyly remembers: “All of a sudden, I needed something to do with my mind.” He picked up a sax. “The tenor was the voice.”

Six years later, in 1970, Hanck moved north to the East Bay. His first band was called Grayson Street. “We played Bo Diddley, R&B, simple stuff,” he says. “We were too bluesy for the funk crowd, too funky for the rock ‘n’ roll crowd. They all hated us, except the musicians: That is always death, you know” Hanck says with a large twinkle in his eyes, “when you have real musicians coming to see you.”

One real musician who did come to see Hanck was Elvin Bishop, an alumnus of seminal American blues-rock group the Paul Butterfield Blues Band. “He heard the band in 1972,” Hanck recalls, “and asked both the harmonica player and I to join, knowing he was only going to pick one guy. So I said no. And the harmonica player said yes.” In 1976, Bishop brought Hanck to Miami to play on what became his classic album, Struttin’ My Stuff, and which included his chart-topping smash hit “Fooled Around And Fell In Love.” Hanck was asked again to join the band, and as Hanck reveals “I said ‘no’ again, like an idiot. I had a single out with my band and I had a false sense of security. But in 1977 he asked one more time and I said ‘yes,’ finally. I joined when the band was on top. I went from riding around in a potato-chip truck to limousines.”

For over a decade, Bishop provided Hanck a worldwide stage to growl, squonk, soar and soothe on his tenor. In 1987, Hanck bid adieu to his friend, and formed his own group.”Terry Hanck is a fine vocalist, an amazing showman and my favorite sax player,” asserts Bishop today. That fact was borne out on the 2011 Delta Groove live album, Elvin Bishop’s Raising Hell Revue, where Hanck re-joined his boss and friend on the 2010 Legendary Rhythm & Blues Cruise where the great vibin’ on the good ship was captured.

Thank Hanck too, for also on that cruise and album was Chris “The Kid” Andersen. Around the turn of the millennium, Hanck was in Norway, saw the young and talented Norwegian guitarist, and brought him to America, when he held down the guitar chair in Hanck’s band for four years. The strongly developed bond between the two has lasted, as Andersen has appeared on and co-produced all Hanck’s releases (including this one), since 2002’s I Keep On Holdin’On. Andersen has also gone on to produce CDs by Grammy-winning legend Charlie Musselwhite and multiple Blues Music Awards– winners and nominated CDs by Terry, John Nemeth and Rick Estrin & the Nightcats.

Many accolades are coming to guitarist Johnny Soubrand, who replaced Andersen back in 2004. Reflecting upon Johnny’s role in the band these past few years Hanck affirms, “Johnny really works best for me. He’s right there with the sound.” Rounding out the tough rhythm section is long time drummer Butch Cousins (younger brother to Richard Cousins (Robert Cray bassist), and newest member bassist Tim Wagar, a stalwart of the San Francisco blues scene and beyond ( Lavern Baker, James Cotton, Jimmy McCracklin, Lowell Fulson. Howard Tate).
– bio by Mindy Giles