MUSIC CALENDAR

FOR TICKETS CLICK HERE

TICKET REQUIRED FOR EVENING SHOW (9PM-12:30AM) IN THE STUDIO. TATTOO & ART EXHIBITIONS ARE FREE AS WELL AS MUSIC INSIDE PHB.

Maxxed Out Music and Poor House Bistro present Maxx Cabello Jr.’s “Tattoos & Blues.”

Featuring Live Music, Tattooing, Art Exhibition, and amazing Food!

August 18, 2018

The Poor House Bistro

91 S Autumn St, San Jose, CA 95110

LIVE ON THE PATIO AND IN THE STUDIO

3pm-12:30am

GET YOUR TICKETS NOW!!!! (Limited Seating Available For Evening Show)

….SAVE THE DATE….

AUGUST 18, 2018

“TATTOOS & BLUES”

Poor House Bistro San Jose, CA

SUPPORT THE MUSIC, SUPPORT THE ART

poorhousebistro.com

maxxcabellojr.com

Sacred Oath Tattoos

1954 Camden Ave #6

(408) 921-7220

Francisco Franco Studios

https://francisco-franco-studios.myshopify.com

Biography
As a singer, he is by known by many as a “bourbon-esque” crooner, performing standards from the Great American Songbook, to others he is a curious oracle of soul and the blues. A pianist and songwriter since childhood, Johnny has arranged and produced two CD’s of his original compositions.
Currently hosting “In the Pocket with Johnny Fabulous” on SCTV, a Santa Cruz television show featuring music and art, Johnny Fabulous also is a performing artist with the Young At Heart Project which provides one hour music shows for senior communities throughout the Bay area. As a vocal coach and piano instructor, Johnny draws upon decades of experience to nurture the growth and development of his students. Johnny Fabulous continues to perform his unique and very distinctive style of music in the Bay area club scene.

https://www.facebook.com/SammyVarelaBandblues/

Sam Has been playing the blues in the Bay Area since the early 70’s. Raised on the East Side of San Jose he grew up listening to a steady diet of Ray Charles, BB King, Jimmy Smith just to name a few from his parents Blues, Jazz, and R&B record collection. Sam received his first Guitar at the age of 10 and started learning from local street payers. At age 11 he was in a small Rock band. Around age 13 Sam’s uncle played him a Paul Butterfield Blues Band record with Mike Bloomfield and Elvin Bishop, from that point all Sam wanted to do was play the Blues. At 15 he sat in Elvin at a small club in San Jose, they became friends.

Each week Aki brings with him a special guest performer!

www.akikumar.com/tuesday-night-blues-jam

About Aki Kumar:

Dynamic frontman & harp player Aki Kumar is a bonafide star among the next generation of West Coast blues artists and the world’s first professional blues harmonica player to hail from India. A master of the hugely influential Chicago blues sound, Kumar inherits his style from the harp legends of the 1950s and 60s. Aki has a unique voice in the blues, blending elements of blues harmonica pioneers of yesteryear with a signature sound of his own.

“..old school blues at its finest by way of India. And the lad has soul to spare.”
Dan Aykroyd aka Elwood Blues

Born and raised in Bombay (now Mumbai) – India, Kumar has long established his mark on the West Coast blues scene as a top-notch frontman, vocalist , entertainer and blues harp player. The Aki Kumar Blues Band has been the culmination of his journey through American roots music and constantly showcases his ever-evolving sound. This band performs vintage blues with tremendous skill and energy and is guaranteed to entertain audiences across all venues, from intimate listening rooms to large festivals.

“(Kumar) has a natural propensity for the music, with a rich, deep tone and a sensitive, economic style that emphasizes feel over flash.”
Jonny Whiteside, LA TIMES

In recent years, Aki Kumar has performed all across the United States and internationally (Norway, Finland, Sweden, Germany, UK, France, Belgium, Netherlands, Brazil, Chile, India), collaborating with some of the top blues artists on the scene. He has also contributed his blues harmonica licks to numerous recordings produced on the West Coast in the last decade, including several albums produced at the world renowned Greaseland Studios. This year marks another exciting year for Aki Kumar, with upcoming recording projects, internationals appearances and other musical collaborations across the world.

Thompson was born in Oakland, California, United States, and had mastered basic guitar and slide guitar techniques by his mid-teens.[1] He was educated at Newark Memorial High School, in Newark, California.[2] In the early 1970s, Thompson played backing to Little Joe Blue, and worked solo and as a sideman in San Francisco Bay Area clubs. He joined John Lee Hooker’s backing band in 1975, staying with him for three years. In 1980, Thompson formed his own group, the Resisters, and secured a recording contract with Takoma Records.[1] He played at the San Francisco Blues Festival in 1978, 1979 and 1983.

In 1983, he released his debut album, Treat Her Like Gold. Thompson also found employment separately working with Lowell Fulson, Etta James and Big Mama Thornton. Thompson’s second album Resister Twister was released in 1987 and nominated for a Grammy Award,[3] plus 1990’s Just Like a Devil, was taken from his work on Mark Naftalin’s Blue Monday Party radio show.[1]

Thompson’s 2007 album, Resonator was a purely acoustic production.[3]

Pianist Sid Morris as a teenager in the 60’s he began playing piano in a blues band with South Bay blues pioneer Gary Smith. Gary later introduced him to pianist Alberto Gianquinto, a San Francisco native who was a member of the original James Cotton Blues Band. For a short time in the early 70’s, Alberto was his mentor. Currently residing in San Jose, Sid has been performing since 1970 and continues to be an active member of the San Francisco Bay Area music community. Raised in Houston, Texas before his family moved to the South Bay, Sid performed at the very first San Francisco Blues Festival in 1973 and subsequently appeared at four other SF Blues Festivals. During his early years on the scene, Sid was mentored by Alberto Gianquinto. In 1976, Sid participated in the now legendary recording of the album, Blue Bay, an anthology featuring the elite of Bay Area musicians.

www.tonylindsay.com

Tony Lindsay, who was born in Kingston, New York, now calls San Francisco his home, is back in the SANTANA lineup. He first toured with SANTANA in 1991 and can be heard on the 1992 release, Milagro. When not touring with SANTANA, he sings for Spang-a-Lang, a local R&B/Jazz/Pop group he founded that has opened for several well-known acts, including Curtis Mayfield, Jr. Walker, Tower of Power, and Average White Band, to name a few.

As an individual, Tony has recorded or performed with several artists, including Tevin Campbell, O’Jays, Al Jarreau, Steve Winwood, Johnny Gill, Teddy Pendergrass, Aretha Franklin, and Lou Rawls.

His full-bodied tenor voice and unique style have paved the way for his participation in a variety of musical projects, including a 1993 duet performance with Angela Bofill and the New York Philharmonic Orchestra at Avery Fischer Hall in NY. (The song was written by Narada Michael Walden, and entitled “Enough for Everyone.”)

Tony’s voice can also be heard on Mazda, Hotwheels, Dreyer’s Ice Cream and Wendy’s commercials as well as on the “Adventures of Kanga Roddy.”
Tony is also a talented song writer, and sings with the Dancing with the Stars Road Tour.

Each week Aki brings with him a special guest performer!

www.akikumar.com/tuesday-night-blues-jam

About Aki Kumar:

Dynamic frontman & harp player Aki Kumar is a bonafide star among the next generation of West Coast blues artists and the world’s first professional blues harmonica player to hail from India. A master of the hugely influential Chicago blues sound, Kumar inherits his style from the harp legends of the 1950s and 60s. Aki has a unique voice in the blues, blending elements of blues harmonica pioneers of yesteryear with a signature sound of his own.

“..old school blues at its finest by way of India. And the lad has soul to spare.”
Dan Aykroyd aka Elwood Blues

Born and raised in Bombay (now Mumbai) – India, Kumar has long established his mark on the West Coast blues scene as a top-notch frontman, vocalist , entertainer and blues harp player. The Aki Kumar Blues Band has been the culmination of his journey through American roots music and constantly showcases his ever-evolving sound. This band performs vintage blues with tremendous skill and energy and is guaranteed to entertain audiences across all venues, from intimate listening rooms to large festivals.

“(Kumar) has a natural propensity for the music, with a rich, deep tone and a sensitive, economic style that emphasizes feel over flash.”
Jonny Whiteside, LA TIMES

In recent years, Aki Kumar has performed all across the United States and internationally (Norway, Finland, Sweden, Germany, UK, France, Belgium, Netherlands, Brazil, Chile, India), collaborating with some of the top blues artists on the scene. He has also contributed his blues harmonica licks to numerous recordings produced on the West Coast in the last decade, including several albums produced at the world renowned Greaseland Studios. This year marks another exciting year for Aki Kumar, with upcoming recording projects, internationals appearances and other musical collaborations across the world.

Thompson was born in Oakland, California, United States, and had mastered basic guitar and slide guitar techniques by his mid-teens.[1] He was educated at Newark Memorial High School, in Newark, California.[2] In the early 1970s, Thompson played backing to Little Joe Blue, and worked solo and as a sideman in San Francisco Bay Area clubs. He joined John Lee Hooker’s backing band in 1975, staying with him for three years. In 1980, Thompson formed his own group, the Resisters, and secured a recording contract with Takoma Records.[1] He played at the San Francisco Blues Festival in 1978, 1979 and 1983.

In 1983, he released his debut album, Treat Her Like Gold. Thompson also found employment separately working with Lowell Fulson, Etta James and Big Mama Thornton. Thompson’s second album Resister Twister was released in 1987 and nominated for a Grammy Award,[3] plus 1990’s Just Like a Devil, was taken from his work on Mark Naftalin’s Blue Monday Party radio show.[1]

Thompson’s 2007 album, Resonator was a purely acoustic production.[3]

Pianist Sid Morris as a teenager in the 60’s he began playing piano in a blues band with South Bay blues pioneer Gary Smith. Gary later introduced him to pianist Alberto Gianquinto, a San Francisco native who was a member of the original James Cotton Blues Band. For a short time in the early 70’s, Alberto was his mentor. Currently residing in San Jose, Sid has been performing since 1970 and continues to be an active member of the San Francisco Bay Area music community. Raised in Houston, Texas before his family moved to the South Bay, Sid performed at the very first San Francisco Blues Festival in 1973 and subsequently appeared at four other SF Blues Festivals. During his early years on the scene, Sid was mentored by Alberto Gianquinto. In 1976, Sid participated in the now legendary recording of the album, Blue Bay, an anthology featuring the elite of Bay Area musicians.